A Tribute to Timeless Artistry: The Winsor & Newton Revival Collection

Watercolour painting has long been celebrated for its delicate beauty, versatility, and ability to capture the essence of light and colour. Winsor & Newton, a name synonymous with quality and tradition in the art world, has once again raised the bar with the introduction of their Professional Watercolour Revival Collection. Designed to inspire both seasoned professionals and passionate hobbyists, this collection redefines what it means to work with watercolours.

The Professional Watercolour Revival Collection is more than just a new line of products; it’s a tribute to the rich history of watercolour painting. Winsor & Newton, with over 185 years of experience, has poured their expertise into creating a range of colours that not only match the brilliance of their historical counterparts, but also surpasses them in terms of quality and consistency.

Key Features

Each colour in the collection has been carefully curated to create a modern palette containing long-lost and longed-after heritage pigments. These modern recipes are formulated to provide unique shades and hues that have been difficult to achieve in the past, without sacrificing safety or sustainability. 

From the rich, deep tones of the new quinacridone variations, to the subtle, earthy shades inspired by natural minerals, this collection offers a wealth of possibilities for artists looking to explore new dimensions in their work.

Discover the colours:

Aureolin Hue: Aureolin Hue, originally known as Cobalt Yellow, was first synthesised in the mid-19th century by German chemist Nikolaus Wolfgang Fischer. It was developed as a bright, transparent yellow pigment, offering a lightfast alternative to older yellows like Gamboge. Aureolin quickly gained popularity among artists for its radiant, lemony hue, which was ideal for capturing sunlight and delicate floral tones in watercolours and other media.

Field’s Orange: Originally known as Orange Vermillion, Field’s Orange was discovered and manufactured by Chemist and Colour Theorist George Field in the 1800’s. This colour was extensively used by J.M.W. Turner, to create strong, intense oranges for an impactful effect. The original recipe was lost when George Field died, and has only just been rediscovered.

Viridian Hue: Viridian emerged in the first half of the nineteenth century, along with many other synthetic pigments, such as cobalt blue and cadmium yellow. While chromium, the key component, was discovered in 1797, the first preparation of viridian is credited to the Frenchman Pannetier and his assistant Binet in around 1838.

Cinnabar Green: Cinnabar Green originated from a blend of two distinct pigments: the vibrant, ancient Cinnabar (or Vermilion) red, derived from mercury sulfide, and a bright green pigment, often derived from copper compounds. This mix created a vivid green hue that was prized during the Renaissance and Baroque periods for its intense, lively colour. Artists used Cinnabar Green to capture the rich, verdant tones of nature, making it a staple in their palettes for landscapes and decorative work.

Tyrian Purple: Tyrian Purple was used as early as the 17th century BCE in the Aegean. One of the earliest examples of Tyrian Purple is in the fresco Saffron Gatherers from the Aegean Island of Santorini, ancient Thera, during the Late Bronze Age. It wasn't until half a millennia later that the Phoenicians created a recipe that could be readily recreated.

Ultramarine Ash: This pigment originates from the refining process of Lapis Lazuli, the same mineral used to create the vibrant Ultramarine Blue. This colour is a delicate, muted shade that offers a unique, soft variation of the classic Ultramarine Blue. This pigment has historical significance, as it was often used in ancient and Renaissance art for its subtle, ethereal qualities.

Mineral Grey: Derived from naturally occurring iron oxides and carbonates, Mineral Grey was valued for its neutral, versatile tone and its ability to create subtle shadows and depth in artwork. This pigment has been a staple in artists' palettes for centuries, appreciated for its earthy, understated quality and its connection to the raw, elemental materials of the earth.

Ostwald Grey: Ostwald Grey was named after the Nobel Prize-winning chemist Wilhelm Ostwald, who made significant contributions to the study of colour theory in the early 20th century. Unlike traditional pigments derived from natural sources, Ostwald Grey was developed as a synthetic pigment based on Ostwald's research into colour harmonies and the systematic classification of colours. This pigment represents a scientific approach to achieving a balanced, neutral grey.

Join the Revival: Experience the Winsor & Newton Difference

There’s a reason why Winsor & Newton remains a trusted name among artists worldwide. Their dedication to excellence and artistic legacy is evident in every product they create, and the Professional Watercolour Revival Collection is no exception. Whether you’re a professional artist looking to expand your palette or a beginner eager to explore the world of watercolours, this collection offers everything you need to create stunning works of art.

Join the revival and experience the rich history of watercolour like never before. With the Professional Watercolour Revival Collection, the possibilities are as limitless as your imagination. Discover the joy of watercolour painting and let your creativity flourish with every history-filled brushstroke.

There is no limit to the possibilities for how you can use your Midori Hibino Diary. And however you choose to use yours, don’t forget to share and tag us at @londongraphicscentre to show us your planner creativity!

Key Features

Vibrant colours: The Mattehop gel pens come in a brilliant spectrum of colours, allowing users to express themselves creatively and with style. Whether you’re colour-coding notes, adding a pop of colour to your planner, or sketching a new design, these pens always deliver.

Smooth writing experience: Thanks to the high-quality gel ink, writing with Mattehop pens is an incredibly smooth experience. The ink flows consistently, reducing skips and ensuring a crisp line every time.

Write on multiple surfaces: One of Mattehop’s best features is that you are able to write and draw on photographic and coated paper. This includes glossy photos and washi tape, meaning it’s perfect for all your scrap-book needs!

Opaque and matte finish: The high-opacity ink allows you to write boldly on any colour of paper. And, when fully dried, you are left with is a matte plastic-look finish. Perfect for maximum impact.

How to use:

And there you have it! Three creative and crafty activities to keep you busy over the summer period. Show us what you create! Post your creations online and tag @londongraphiccentre and @posca_uk.

Viviva Colors is more than just a brand; it's a testament to how innovation can breathe new life into traditional art forms. Wether your a seasoned artist or a curious beginner, Viviva Colorsheets offer a unique, vibrant, and convenient way to explore the world of watercolour painting. Their blend of praticality, quality, and sustainability makes them a standout choice.

So join the watercolour revolution today!

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